June 4, 2000 |
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PAULA PETERS
After a bit with plate spinning and tossing a giant yo-yo back and forth, Moniz teased a group of children at the Falmouth Jewish Congregation last month. "You want to see us juggle, right? You want to see us juggle?" The children were giddy with excitement and cheering for more. That is when the clowning around turns into a display of the dexterity. Moniz, 49, and Pettengill, 53, can each keep five balls in the air. Way, 40, can juggle seven. Their craft is the result of years of practice that began at Moniz's home in the early 1980s when he and Pettengill were commuting to Bridgewater State College together. "Bob showed up in my living room one night and showed me juggling - that's how all this got started," Moniz said. A few months later they recruited Way and were a threesome. They are all members of the International Jugglers Association and very serious about the trade. At school and church functions, community activities and private parties, they perform at least 50 times a year and have played from San Diego to Switzerland. Locally they perform at Cape schools and libraries and are regular street performers in Mashpee Commons and the Chatham Fourth of July Parade. He prides himself in being the most conservative member of the troupe, but he gives the most animated performance, ogling children with his big brown eyes, putting on a wide grin and producing a hearty laugh. A divorced father of two, Way learned to juggle from his science teacher at Falmouth High School where he is a 1980 graduate. Way majored in physics in college but dropped out to pursue a fascination with perpetual motion. When he isn't juggling - or programming - he teaches a class in how to ride a motorcycle. Considered the technical genius of the group, Way plots the stunts and masters the skills he teaches to his Suspender mates. Way introduced the unicycle to the group shortly after they got together. "Everyone was doing it, we had to get with the times," he said. Pettengill was raised in Brockton and served three years in the Army before moving to the Cape. A military theme often emerges in his routines. He earned a degree in history at Bridgewater State College. Pettengill serves as the mild-mannered straight man and writer/director of many of the skits. He often casts himself as the butt of a joke. The tallest Suspender, Pettengill prides himself in being able to recognize the children in the back of the crowd when it comes time to recruit volunteers. "To be the chosen one, first you have to be sitting politely," he says. "Then, I'll pick one of the kids from the back first, to make sure they don't feel left out." At a recent rehearsal, small, spry and strong Way showed off by grabbing on to a vertical railing and suspending himself horizontally by his grip on the bar. Moniz and Pettengill warmed up by tossing half a dozen pins between them while having casual conversation. It is an act they practice on their day job, passing paint brushes while balanced on construction staging. "I love to practice without people watching. I just love doing it," Moniz said, pins flying overhead in his personal enrichment exercise. "Then there is being in front of a crowd when it really clicks." Stepping into the routine, Way blended his own pins into a mini juggling tornado and finished the thought for Moniz: "There is something about doing a show and getting people to a state when they can't stop themselves from laughing." Juggling is a great skill to master, Pettengill said, because it instills confidence and a sense of accomplishment. He first learned it from his high school basketball coach who "thought it would make us quicker." "It reinforces the connection between mind and body, between the creative and analytical," Way said. "There is a combination of visualization with rhythm and patterns in movement and time that is unique to juggling." For Moniz, juggling is more concentration than coordination. "You get into a heightened phase of concentration, and when you do it for a while, it's like a zone." |
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